Andras Böröcz works with his own personal iconography based on objects (the pencil, ostrich egg, glove, cactus, chimney, barrel, etc.), which appears repeatedly as he traverses a variety of themes, whether in drawing, sculpture or performance, where human conditions are coded. His personal expression is transformed to a collective experience through humor and in his choices of materials.
By playing with function and cultural symbols and by exaggerating certain formal aspects inherent to contemporary society, he makes works that can be seen as portraits of himself and also of everyman. Sometimes they appear idiosyncratic and quirky; at other times they seem typical by-products of the search for collective cultural truths and global symbols.
Böröcz finds that movement, whether actual or implied reveals an inherent awkwardness, a humor that echoes human vulnerabilities. His works appear dreamlike in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. Often his sculptures are a summary of a performance, but just as often, the sculptures inspire one.
Böröcz's work with pencils – begun more than 23 years ago – applies a poetic and often absurd and metaphorical language with references and ideas completely integrated into the process and composition of the work. The pencil has become, in a sense, his signature material.
Andras Böröcz was born in Budapest, Hungary. His work has been exhibited extensively in Europe and the U.S.